{"id":2210,"date":"2017-12-14T11:22:35","date_gmt":"2017-12-14T11:22:35","guid":{"rendered":"http:\/\/fundacionnmac.org\/?page_id=2210"},"modified":"2025-05-07T13:48:43","modified_gmt":"2025-05-07T11:48:43","slug":"coleccion-permanente","status":"publish","type":"page","link":"https:\/\/fundacionnmac.org\/es\/coleccion\/coleccion-permanente\/","title":{"rendered":"Colecci\u00f3n permanente"},"content":{"rendered":"

COLECCI\u00d3N PERMANENTE<\/h1>\n
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Hasta el momento mas de 40 artistas han realizado proyectos en la Fundaci\u00f3n Montenmedio Contempor\u00e1nea, de los cuales 24 proyectos forman parte permanente de la colecci\u00f3n abierta al publico. Inaugurada en junio de 2001, prestigiosos artistas internacionales han intervenido en la naturaleza y el contexto m\u00e1s pr\u00f3ximo, utilizando \u00a0motivos y materiales relacionados con identidad del entorno.<\/p>\n

Las piezas permanentes se pueden localizar al aire libre y en las \u00a0diferentes salas expositivas que contienen fotograf\u00edas y videoarte.<\/p>\n<\/div>

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Marina Abramovic. El H\u00e9roe (para Antonio), 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Marina Abramovic. Nidos Humanos, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Pilar Albarrac\u00edn. La noche 1002, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Gunilla Bandolin. Impresi\u00f3n del cielo, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Maurizio Cattelan. Sin t\u00edtulo, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Richard Nonas. Corriente de r\u00edo, serpiente al sol, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Susana Solano. Encens y Mirra, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Olafur Eliasson. Pared de ladrillos Quasi, 2002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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MP & MP Rosado. Secuencia rid\u00edcula, 2002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Santiago Sierra. 3000 huecos de 180 x 70 x 70 cm cada uno,\u00a02002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Michael Lin. Pasaje de jard\u00edn, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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\u00a0Huang Yong Ping. El ba\u00f1o, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Berni Searle. Hogar y exilio, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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\u00a0Shen Yuan. Puente, 2004.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Aleksandra Mir. Historias de amor, 2004-2007.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Adel Abdesemed. Salam Europe!, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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\u00a0Maja Bajevic. Escultura para ciegos, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Jeppe Hein. 11 Bancos Sociales Modificados, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Pascale Marthine Tayou. Plansone Duty Free, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Cristina Lucas. T\u00fa tambi\u00e9n puedes caminar, 2006.<\/a><\/p>\n<\/div>

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James Turrell. Second Wind, 2005. 2009.<\/a><\/p>\n<\/div>

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Jacobo Castellano. Viga M\u00e1dre, 2019.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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