ART WORK<\/h3>\n- Madrid Pact<\/a><\/li>\n
- Fountain<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div>
![](\"http:\/\/fundacionnmac.org\/wp-content\/uploads\/2017\/11\/fundacion-nmac-sanchez-castillo.jpg\" "\\"fundacion-nmac-sanchez-castillo\\"")
<\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMENDATIONS<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div><\/div><\/div><\/div>FERNANDO S\u00c1NCHEZ CASTILLO<\/h3>\n
Madrid, 1970.\u00a0Lives and works in Madrid<\/strong><\/p>\nGraduate in Fine Art at the Complutense University, Madrid.<\/p>\n
Master\u2019s degree from the Institute of Contemporary Aesthetics, Universidad Aut\u00f3noma, Madrid.<\/p>\n
A member of the research group, ENSBA in Paris and Artist in Residence at the Rijksakademie of Amsterdam.<\/p>\n
Currently forming part of \/ participating in the United Nations of Geneva Research Team, PIMPA (Memory Politics and Art Practices) and has lead courses, workshops and talks at Princeton University, Complutense University, Madrid and The International University Menendez Pelayo among others.<\/p>\n
The work of S\u00e1nchez Castillo is rooted in the awareness of the practice of contemporary art as cultural critique. His pieces have links with historiography, journalism and the ambiguous relationship between power and it\u2019s propaganda.<\/p>\n
He has presented solo exhibitions in Sala de Arte P\u00fablico Siqueiros(2016) CA2M, Madrid (2015). Stedelijk Den Bosch (2016).OK Centrum, Linz Austria (2014), Rabo Kunstzone Utrecht (2.013), Kunstpavilion Munich(2.013), Kunstverein Braunschweig(2012), Matadero, Madrid (2012), CAC M\u00e1laga (2.011), Vleeshal Middleburg Holanda (2.008), MUSAC, Le\u00f3n \u00a0(2007),Centre d\u00c1rt Contemporain Ginebra (2007), Wanas Foundation, Sweden (2007), Skissernas Museum, Lund, Sweden, Stedelijk \u00a0Schiedam, Rotterdam (2006), Centre d\u2019Art Santa M\u00f3nica, Barcelona (2006), MARTa Herford (2006) among other places.<\/p>\n
Since 2003 S\u00e1nchez Castillo has worked with the Juana de Aizpuru gallery in Madrid and since 2013 with Tegenboschvanvreden Gallery in Amsterdam.<\/p>\n
Among his most notable group exhibitions: Manifesta 11, From Here to Eternity (i, Hacking Habitat, 2015, UtrechtPlay, Goteborg Biennial 2013 , Artificial Amsterdam, de Appel, Amsterdam(2013),Le Pont - MAC Marsella(2013), NEWTOPIA, Mechelen VZW, B\u00e9lgica (2012), Bourdeaux Biennale (2.009), Borders, Boijmans Van Beuningen, Rotterdam (2008), Sonsbeek \u00a0Grandeur,Arnhem (2.008), X International Istanbul Biennial (2.007), Border Jam, La Cuadratura del Cono, ERA 2007, Montevideo (2.007), El Dorado, MUDAM, Luxemburg (2.006), Mercury in Retrograde, de Appel, Amsterdam (2.006), Tel Aviv Bienal (2.004), XXVI Bienal Internacional de S\u00e3o Paulo(2.004), I Bienal de Sevilla, BIAC(2004), The Failure of Beauty, The Beauty of Failure, Fundaci\u00f3 Joan Mir\u00f3, Barcelona,(2.004), The Real Royal Trip, P.S.1 \u00a0MOMA USA(2.003), Abracadabra, Tate Modern, London(1.999)<\/p>\n
His work can also be found in the following collections:<\/p>\n
Centre Georges Pompidou, Paris,Fundaci\u00f3n ARCO,MUSAC, Junta de Castilla y Le\u00f3n, MUDAM, Luxemburgo,Rabobank, Amsterdam, Netherlands, Caldic Collection, Rotterdam, Utrecht Central Museum. Netherland De Nederlandsche Central Bank, Amsterdam, Museo Nacional Centro de Arte, Reina Sof\u00eda, Madrid, Spencer Churchill Collection, London,Artium, Vitoria, City of Amsterdam, City of Utrecht, City of Arnhem, City of Osnabruck, Fundaci\u00f3n Marcelino Botin, Museo Patio Herreriano, CA2M, Madrid.<\/p>\n
Currently preparing solo shows in the Kunstraum de Insbruck and the Albertinum de Dresden and fulfilling public art commissions for \u00a0La Haya, Herford and Gdansk.<\/p>\n<\/div>
<\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-343","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/343\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Madrid Pact<\/a><\/li>\n
- Fountain<\/a><\/li><\/ul><\/div>\n<\/div>
<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMENDATIONS<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div>
<\/div><\/div><\/div>FERNANDO S\u00c1NCHEZ CASTILLO<\/h3>\n
Madrid, 1970.\u00a0Lives and works in Madrid<\/strong><\/p>\n
Graduate in Fine Art at the Complutense University, Madrid.<\/p>\n
Master\u2019s degree from the Institute of Contemporary Aesthetics, Universidad Aut\u00f3noma, Madrid.<\/p>\n
A member of the research group, ENSBA in Paris and Artist in Residence at the Rijksakademie of Amsterdam.<\/p>\n
Currently forming part of \/ participating in the United Nations of Geneva Research Team, PIMPA (Memory Politics and Art Practices) and has lead courses, workshops and talks at Princeton University, Complutense University, Madrid and The International University Menendez Pelayo among others.<\/p>\n
The work of S\u00e1nchez Castillo is rooted in the awareness of the practice of contemporary art as cultural critique. His pieces have links with historiography, journalism and the ambiguous relationship between power and it\u2019s propaganda.<\/p>\n
He has presented solo exhibitions in Sala de Arte P\u00fablico Siqueiros(2016) CA2M, Madrid (2015). Stedelijk Den Bosch (2016).OK Centrum, Linz Austria (2014), Rabo Kunstzone Utrecht (2.013), Kunstpavilion Munich(2.013), Kunstverein Braunschweig(2012), Matadero, Madrid (2012), CAC M\u00e1laga (2.011), Vleeshal Middleburg Holanda (2.008), MUSAC, Le\u00f3n \u00a0(2007),Centre d\u00c1rt Contemporain Ginebra (2007), Wanas Foundation, Sweden (2007), Skissernas Museum, Lund, Sweden, Stedelijk \u00a0Schiedam, Rotterdam (2006), Centre d\u2019Art Santa M\u00f3nica, Barcelona (2006), MARTa Herford (2006) among other places.<\/p>\n
Since 2003 S\u00e1nchez Castillo has worked with the Juana de Aizpuru gallery in Madrid and since 2013 with Tegenboschvanvreden Gallery in Amsterdam.<\/p>\n
Among his most notable group exhibitions: Manifesta 11, From Here to Eternity (i, Hacking Habitat, 2015, UtrechtPlay, Goteborg Biennial 2013 , Artificial Amsterdam, de Appel, Amsterdam(2013),Le Pont - MAC Marsella(2013), NEWTOPIA, Mechelen VZW, B\u00e9lgica (2012), Bourdeaux Biennale (2.009), Borders, Boijmans Van Beuningen, Rotterdam (2008), Sonsbeek \u00a0Grandeur,Arnhem (2.008), X International Istanbul Biennial (2.007), Border Jam, La Cuadratura del Cono, ERA 2007, Montevideo (2.007), El Dorado, MUDAM, Luxemburg (2.006), Mercury in Retrograde, de Appel, Amsterdam (2.006), Tel Aviv Bienal (2.004), XXVI Bienal Internacional de S\u00e3o Paulo(2.004), I Bienal de Sevilla, BIAC(2004), The Failure of Beauty, The Beauty of Failure, Fundaci\u00f3 Joan Mir\u00f3, Barcelona,(2.004), The Real Royal Trip, P.S.1 \u00a0MOMA USA(2.003), Abracadabra, Tate Modern, London(1.999)<\/p>\n
His work can also be found in the following collections:<\/p>\n
Centre Georges Pompidou, Paris,Fundaci\u00f3n ARCO,MUSAC, Junta de Castilla y Le\u00f3n, MUDAM, Luxemburgo,Rabobank, Amsterdam, Netherlands, Caldic Collection, Rotterdam, Utrecht Central Museum. Netherland De Nederlandsche Central Bank, Amsterdam, Museo Nacional Centro de Arte, Reina Sof\u00eda, Madrid, Spencer Churchill Collection, London,Artium, Vitoria, City of Amsterdam, City of Utrecht, City of Arnhem, City of Osnabruck, Fundaci\u00f3n Marcelino Botin, Museo Patio Herreriano, CA2M, Madrid.<\/p>\n
Currently preparing solo shows in the Kunstraum de Insbruck and the Albertinum de Dresden and fulfilling public art commissions for \u00a0La Haya, Herford and Gdansk.<\/p>\n<\/div>
<\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-343","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/343\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} - Fountain<\/a><\/li><\/ul><\/div>\n<\/div>