WORK<\/h3>\n- Incens amd myrr<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div>
![](\"http:\/\/fundacionnmac.org\/wp-content\/uploads\/2017\/11\/fundacion-nmac-susana-solano.png\" "\\"fundacion-nmac-susana-solano\\"")
<\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMENDATIONS<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div><\/div><\/div><\/div>SUSANA SOLANO<\/h3>\n
Barcelona, 1946. Lives and works in Barcelona.<\/strong><\/p>\nFrom her first works at the beginning of the 80s which revealed the clear influence of Brancusi, towards the middle of the 90s she moved to using materials such as iron and lead developed using an artistic approach, giving an even greater volume and monumentality to these closed, solid sculptures, in the form of large architectural sites often near minimalist settlements. \u00a0She studied at the Faculty of Fine Arts in her native country, where she began her artistic career in the field of painting from where she later moved into sculpture.<\/p>\n
The interest in other cultures and human behaviour in one's natural environment have brought the artist to investigate other media such as photography and drawing. \u00a0Over the last number of years, with the use of metallic mesh, her works have acquired a poetic character in which the shapes, volumes and space make reference to natural elements such as water, light and earth.<\/p>\n
Considered as one of the most renowned Spanish artist outside our country, Susana Solano has exhibited at numerous international individual and collective exhibitions. \u00a0With individual exhibitions in Madrid and Barcelona she established her name little by little until achieving international recognition participating in the VIII and IX \u201cDocumenta\u201d in Kassel (1987 and 1992), in the Sao Paolo Biennial (1987) and the Venice Biennial (1988 and 1993). In the 1988 she was awarded the \u201cPremio Nacional de Artes Pl\u00e1sticas\u201d for the \u201cstrength and quality of her work\u201d and for a \u201cvery personal approach applied to the most innovative works of modern sculpture\u201d.<\/p>\n<\/div>
<\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-291","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=291"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/291\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Incens amd myrr<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>
RECOMENDATIONS<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div>
<\/div><\/div><\/div>SUSANA SOLANO<\/h3>\n
Barcelona, 1946. Lives and works in Barcelona.<\/strong><\/p>\n
From her first works at the beginning of the 80s which revealed the clear influence of Brancusi, towards the middle of the 90s she moved to using materials such as iron and lead developed using an artistic approach, giving an even greater volume and monumentality to these closed, solid sculptures, in the form of large architectural sites often near minimalist settlements. \u00a0She studied at the Faculty of Fine Arts in her native country, where she began her artistic career in the field of painting from where she later moved into sculpture.<\/p>\n
The interest in other cultures and human behaviour in one's natural environment have brought the artist to investigate other media such as photography and drawing. \u00a0Over the last number of years, with the use of metallic mesh, her works have acquired a poetic character in which the shapes, volumes and space make reference to natural elements such as water, light and earth.<\/p>\n
Considered as one of the most renowned Spanish artist outside our country, Susana Solano has exhibited at numerous international individual and collective exhibitions. \u00a0With individual exhibitions in Madrid and Barcelona she established her name little by little until achieving international recognition participating in the VIII and IX \u201cDocumenta\u201d in Kassel (1987 and 1992), in the Sao Paolo Biennial (1987) and the Venice Biennial (1988 and 1993). In the 1988 she was awarded the \u201cPremio Nacional de Artes Pl\u00e1sticas\u201d for the \u201cstrength and quality of her work\u201d and for a \u201cvery personal approach applied to the most innovative works of modern sculpture\u201d.<\/p>\n<\/div>
<\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-291","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=291"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/291\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}