{"id":2213,"date":"2017-12-14T11:24:41","date_gmt":"2017-12-14T11:24:41","guid":{"rendered":"http:\/\/fundacionnmac.org\/permanent-collection\/"},"modified":"2022-06-15T15:51:21","modified_gmt":"2022-06-15T15:51:21","slug":"permanent-collection","status":"publish","type":"page","link":"https:\/\/fundacionnmac.org\/en\/collection\/permanent-collection\/","title":{"rendered":"Permanent collection"},"content":{"rendered":"

PERMANENT COLLECTION<\/strong><\/h1>\n
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To date more than 40 artists have undertaken projects at NMAC, of which 22 are permanent projects of collection, open to the general public every day.<\/p>\n

Inaugurated in June 2001, the foundation’s main objective is to offer a vision of contemporary art in which the natural landscape and social environment, including the historical background are determinants in the creation of the works.<\/p>\n<\/div>

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Marina Abramovic. The Hero ( for Antonio), 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Marina Abramovic. Human Nests, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Pilar Albarrac\u00edn. The night 1002, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Gunilla Bandolin. Sky \u0301s Impression, 2001.<\/a><\/p>\n<\/div>

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Maurizio Cattelan. Untitled, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Richard Nonas. River Run, Snake in the Sun, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Susana Solano. Incense and Myrrh, 2001.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Olafur Eliasson. Quasi Brick Wall, 2002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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MP & MP Rosado. Ridiculous sequence, 2002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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\u00a0Santiago Sierra. 3000 hollows of 170 x 70 x 70 cm each,\u00a02002.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Michael Lin. Garden passage, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Ester Parteg\u00e1s. I remember, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Huang Yong Ping. Hamman, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Berni Searle. Home and away, 2003.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Shen Yuan. Bridge, 2004.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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\u00a0Aleksandra Mir. Love Stories, 2004-2007.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Adel Abdesemed. Salam Europe!, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Maja Bajevic. Sculptures for the blind, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Jeppe Hein. 11 Modified Social Benches, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Pascale Marthine Tayou. Plansone Duty Free, 2006.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Cristina Lucas. You can walk, too , 2006.<\/a><\/p>\n<\/div>

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James Turrell. Second Wind, 2005, \u00a02009.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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Jacobo Castellano. Viga M\u00e1dre, 2019.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

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