WORKS<\/h3>\n- The hero<\/a><\/li>\n
- Human nests<\/a><\/li>\n
- Cleaning the house<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div>
![](\"http:\/\/fundacionnmac.org\/wp-content\/uploads\/2017\/11\/fundacion-nmac-marina2.png\" "\\"fundacion-nmac-marina2\\"")
<\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMMENDATION<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div><\/div><\/div><\/div>MARINA ABRAMOVIC\u00b4<\/h3>\n
Belgrade, 1946. Lives and works in New York<\/strong><\/p>\nRenowned performance artist, she is one of the celebrated members of the international artistic scene. Over the last number of years her contribution to teaching stands out, in particular her workshop \u201cCleaning the house\u201d, and the performances given both in her native country and the United States.
\nOn conclusion of her relationship with Ulay, Marina presented \u201cBalkan Baroque\u201d, with which she won her first prize at the Venice Biennial Festival in 1997. From then on the artist of Serbian origin has continued her artistic career based above all on the language of performance.
\nAmong her works, her presence at the 2004 Whitney Museum Biennial should be highlighted as should her project \u201cSeven Easy Pieces\u201d (2005) in the Guggenheim Museum of New York, where over the course of seven nights, the artist offered a series of repeats from seminars given in the 60s and 70s by artists such as Vito Acconci, Joseph Beuys, Valie Export, Bruce Nauman and Gina Pane. After 20 years without undertaking any projects in her home country, the artist returns to her roots with \u201cBalkan Erotic Epic\u201d, a performance in the form of a video-installation.
\nIn spring 2010 MOMA dedicated an important retrospective to Marina under the title \u201cThe artists is present\u201d.
\nDuring more than 700 hours the artists was sitting at the atrium of the museum inviting the public to sit with her in absolute silence.
\nOnce a year Marina makes a r\u00e9sum\u00e9 of the life and work experience under a work known as Biography.<\/p>\n<\/div>
<\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- The hero<\/a><\/li>\n
- Human nests<\/a><\/li>\n
- Cleaning the house<\/a><\/li><\/ul><\/div>\n<\/div>
<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMMENDATION<\/h3>\n
2001 Catalogue<\/a><\/p>\n<\/div>
<\/div><\/div><\/div>MARINA ABRAMOVIC\u00b4<\/h3>\n
Belgrade, 1946. Lives and works in New York<\/strong><\/p>\n
Renowned performance artist, she is one of the celebrated members of the international artistic scene. Over the last number of years her contribution to teaching stands out, in particular her workshop \u201cCleaning the house\u201d, and the performances given both in her native country and the United States.
\nOn conclusion of her relationship with Ulay, Marina presented \u201cBalkan Baroque\u201d, with which she won her first prize at the Venice Biennial Festival in 1997. From then on the artist of Serbian origin has continued her artistic career based above all on the language of performance.
\nAmong her works, her presence at the 2004 Whitney Museum Biennial should be highlighted as should her project \u201cSeven Easy Pieces\u201d (2005) in the Guggenheim Museum of New York, where over the course of seven nights, the artist offered a series of repeats from seminars given in the 60s and 70s by artists such as Vito Acconci, Joseph Beuys, Valie Export, Bruce Nauman and Gina Pane. After 20 years without undertaking any projects in her home country, the artist returns to her roots with \u201cBalkan Erotic Epic\u201d, a performance in the form of a video-installation.
\nIn spring 2010 MOMA dedicated an important retrospective to Marina under the title \u201cThe artists is present\u201d.
\nDuring more than 700 hours the artists was sitting at the atrium of the museum inviting the public to sit with her in absolute silence.
\nOnce a year Marina makes a r\u00e9sum\u00e9 of the life and work experience under a work known as Biography.<\/p>\n<\/div><\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} - Human nests<\/a><\/li>\n