WORK<\/h3>\n- Salam-Europe<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div>
![](\"http:\/\/fundacionnmac.org\/wp-content\/uploads\/2017\/11\/fundacion-nmac-n2abdessemed1.png\" "\\"fundacion-nmac-n2abdessemed1\\"")
<\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>RECOMMENDATION<\/h3>\n
Testigos \/ Witnesses<\/a><\/p>\n<\/div><\/div><\/div><\/div>ADEL ABDESSEMED<\/h3>\n
Constantine, Algeria, 1971. lives and works in Paris.<\/b><\/p>\n\nThese works, which show a strong physical presence, contain an intense spiritual dimension expressed through concepts such as freedom and joy of life despite the fact that a lot of the projects are about subjects such as violence, tragedy and death.<\/div>\nThe poetic and political languages are intermingled in works such as Jouer la Flute a work where the artist shows a naked imam playing a melody in front of the camera, or in works such as Habibi, where a huge skeleton is seen flying being propelled by a motor of a plane; the presence of death on a disproportionate scale.<\/div>\nThe extreme physical appearance of the skeleton is therefore faced with the infinite lightness of floating in the air.<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-135","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=135"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/135\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Salam-Europe<\/a><\/li><\/ul><\/div>\n<\/div><\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/a><\/span><\/i><\/a><\/span><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div>
RECOMMENDATION<\/h3>\n
Testigos \/ Witnesses<\/a><\/p>\n<\/div>
<\/div><\/div><\/div>ADEL ABDESSEMED<\/h3>\n
Constantine, Algeria, 1971. lives and works in Paris.<\/b><\/p>\n
\nThese works, which show a strong physical presence, contain an intense spiritual dimension expressed through concepts such as freedom and joy of life despite the fact that a lot of the projects are about subjects such as violence, tragedy and death.<\/div>\nThe poetic and political languages are intermingled in works such as Jouer la Flute a work where the artist shows a naked imam playing a melody in front of the camera, or in works such as Habibi, where a huge skeleton is seen flying being propelled by a motor of a plane; the presence of death on a disproportionate scale.<\/div>\nThe extreme physical appearance of the skeleton is therefore faced with the infinite lightness of floating in the air.<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div>Current exhibitions<\/h3>\n
You can see new works in our NMAC\u00a0blog\u00a0<\/a>and display their videos on our NMAC\u00a0channel.<\/a><\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-135","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/comments?post=135"}],"version-history":[{"count":0,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/135\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/media?parent=135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/categories?post=135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionnmac.org\/en\/wp-json\/wp\/v2\/tags?post=135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}